The story of a Chundawat stronghold
Chunda's sacrifice: some six hundred years ago, Chunda, eldest son of Rana Lakha of Mewar, gave up his right to the throne so his younger half-brother Mokal could rule.
Why he did it: by the old account, Rana Lakha married Hansa Bai, a Rathore princess of Marwar, on the promise that her son would inherit, and Chunda kept that promise for him.
How Mewar tells it: our grandmother told it as a story about keeping a promise to a father, and every child in Mewar still hears it that way.
- Clan
- Chundawat Sisodias
- Rank
- One of Mewar's solah umrao
- Altitude
- About 640 metres
- Estate
- Around 200 villages at its height
- Palace built
- 1670, by the family's account
- The Chundawats: Chunda's descendants became a great clan of the Sisodia house.
- Honour repaid: they held the right to ride in the harawal, the vanguard of the Maharana's army, and became some of the most powerful nobles in the kingdom.
- Deogarh or Devgarh: older maps use the second spelling. It was one of the Chundawats' seats.
- On the frontier: the town sits on the eastern side of the Aravallis, on high ground where Mewar meets Marwar to the west and the old Ajmer country to the north.
- A frontier lord: that made the Rawat of Deogarh a border noble, and at its height the estate controlled around two hundred villages.
- At court: its ruler was one of the sixteen first-rank nobles of Mewar, the solah umrao, entitled to attend the Maharana in Udaipur.
- What a thikana was: a noble's holding granted by the ruler for service and loyalty, with its own court, temples, artists and small army.
- The title: Deogarh's rulers were Rawats rather than Rajas or Ranas, and the town still uses the title for the head of the family.
- Untangling the terms: our short piece on rawlas and thikanas explains the system.
- The palace: on the hill above the town, dating from the seventeenth century. Later Rawats added wings, terraces, painted rooms and towers.
- Generations stacked up: the building you see is several eras on top of one another.
- After 1947: the family lived on through Independence and the end of the princely order, and after years of slow decline restored the palace themselves.
- Today: it is open to guests, and part of it is still their home.
Deogarh Mahal, a palace that still has a family in it
Built in the Mewar way: it grew upward and outward rather than to a single plan.
Facing the town: thick lower walls and a fortified gate.
Rising above: courtyards, domed pavilions, long terraces and jharokhas, the projecting screened balconies that let the women of the household watch without being seen.
- Style
- Grown in the Mewar way, no single plan
- Known for
- Painted and glass-inlaid rooms
- Pool
- On a terrace above the town
- Run by
- The family, in person
- The view: a patchwork of lakes, fields and low granite hills.
- Narrow by design: rooms are reached by narrow stairs and sudden corridors, a defence long before they were a charm.
- The Deogarh manner: the palace is known for painted and glass-inlaid rooms and wall paintings in the local school that gives the town its place in art history.
- Murals in the rooms: some guest rooms keep old paintings on their walls and around their doorways.
- The suites: large and full of family furniture, carved doors, swing seats and window seats deep enough to read in.
- Sounds of a real town: from the pool terrace you hear temple bells, school bells, a motorbike, someone selling vegetables.
- The real luxury: the family still lives in part of the palace and manages it personally.
- Evenings: dinner is often on a roof or terrace under the stars, served by staff who have often worked here for many years.
- Conversation: it can turn from cricket to the price of maize to the Rawat who commissioned a particular painting.
- Read more: our Deogarh Mahal guide for the rooms we ask for, and staying with a royal family for what a home rather than a hotel is like.
The Deogarh school of miniature painting

Every court had painters: and the great thikanas of Mewar were no exception.
When it flourished: Deogarh's workshop thrived in the eighteenth and early nineteenth centuries.
- Golden age
- Under Rawat Gokul Das, 1786-1821
- Painters
- Bagta, Chokha, Baijnath
- Chokha arrived
- Around 1811
- Look for
- Yellows, greens, big skies
- See them
- Museums incl. the Met, New York
- What they painted: portraits, hunts, festivals, processions and court scenes, many showing the Rawat on horseback, at a shrine, with companions or watching dancers.
- Bagta: the elder of one painting family, who had worked at Udaipur before Deogarh.
- Chokha: Bagta's son, trained at the Udaipur court under Maharana Bhim Singh, whose work at Deogarh became freer and more personal than anything he painted in the capital.
- Baijnath: Chokha's son, who carried the style into the later nineteenth century, with influences from Nathdwara and Jaipur.
How to recognise a Deogarh painting
Colour: strong yellows and greens.
Space: wide landscapes running right across the page, large formats and big skies.
- Line: figures drawn with bold, elegant lines rather than the tight detail of the Udaipur workshops.
- A small court in a big world: hills, trees and water around the ruler and his companions.
- The hunts: especially lively, with horses at full stretch and the quarry breaking cover.
- Humour: there is often a little of it in the faces of attendants.
Where to see the paintings
Far from home: most surviving pictures left the town long ago for museums and private collections, including the Metropolitan Museum of Art in New York.
- In Deogarh itself: the tradition lives on in the palace's wall paintings and in local artists who still paint the old way.
- An hour with a painter: we arrange it so you can watch colours ground from stone and plant, a squirrel-hair brush being made, and a single line taking an afternoon.
Why it matters beyond the art
A record of an estate: the pictures show a Rajput country estate in the years just before British power settled over Rajasthan.
- What they tell us: what nobles wore, how they hunted, which festivals they kept and how a provincial court entertained itself.
- Familiar landscape: walk the villages after seeing the pictures and you find the same hills, the same lakes, sometimes the same turbans.
The countryside around Deogarh
- Metre-gauge line
- Mavli to Marwar Junction
- Monsoon highlight
- Goram Ghat
- Winter birds
- November to February
- Anjaneshwar Mahadev
- About 4-5 km from town
- Sunset spot
- Gokal Garh
The slow train through the Aravallis
A rare survivor: one of the last metre-gauge lines in Rajasthan, the old route between Mavli and Marwar Junction.
The ride: a short, slow climb through cuttings, tunnels and forested ghats toward Phulad on the Marwar side.
- Along the way: langurs on the embankments and village children waving at every bend.
- Not a luxury train: and that is the point. We drive you to the station, ride with you, and have the car waiting at the other end.
- In the monsoon: the stretch around Goram Ghat, with waterfalls and green cliffs, is every local family's favourite.
Lakes and birds
Water everywhere: small reservoirs and village tanks, and the palace looks over Raghosagar lake.
- Winter visitors: ruddy shelducks, bar-headed geese, pintails and coots.
- Residents: painted storks, spoonbills and egrets.
- How to go: early, with binoculars and a flask of tea, letting your guide choose the tank, because water levels change from year to year.
Anjaneshwar Mahadev
A cave shrine: to Shiva, in the hillside a short drive from town.
- The linga: said to have formed naturally as water worked through the rock over centuries.
- The setting: a small pool above the cave, more beautiful than grand.
- When and how: early morning, when villagers pray before work. Shoes off at the steps, voices low.
Village drives and walks
Our favourite afternoon: a jeep or a walk through the villages around town.
- What you pass: Persian wheels beside modern pumps, maize and wheat, goats coming home in a cloud of dust, and flat roofs with grain drying on top.
- Tea: stop if you are asked, and you will be.
- Your guide explains: who lives in which lane, why a house has a painted door, and what the women are carrying on their heads.
The town and its temples
An ordinary bazaar: a clock tower, cloth merchants, sweet shops frying jalebis in the morning and brass pots stacked outside the utensil sellers.
- Kunjbihari temple: in the centre of town, known for the bats that live in its roof.
- When: around five in the evening, when shops are busiest and the light turns gold on the palace walls.
Gokal Garh and the hills
A small hill fort: near the town, for picnics and sunsets.
- The view: one of the widest in this part of Mewar, across granite outcrops, lakes and the line of the Aravallis.
- A sundowner: when access allows, with a carpet, lanterns and hot pakoras as the evening cools.
How Deogarh lives, and what it makes
Farming families: the year turns on the monsoon.
The crop year: maize and pulses after the rains, wheat, mustard and gram in the cool season, and a long, dusty wait through April and May.
Herders: families move sheep and goats across the hills, and their flocks are on every road.
- Monsoon crops
- Maize and pulses
- Winter crops
- Wheat, mustard, gram
- Industry
- Granite and marble cutting
- Shopping
- Meet makers, no commissions
- Stone country: the town is known for quarries and polishing workshops that cut granite and marble for floors and temples across India.
- Men's dress: older men wear a white dhoti and kurta with a bright turban, often a saffron or patterned safa, tied the local way.
- Women's dress: a long ghaghra skirt, a fitted bodice and an odhni, the veil-scarf drawn across the face in front of elders.
- Signs of marriage: silver anklets and thick ivory-coloured bangles, now usually plastic, in many families.
- Reading the colours: our guide to Rajasthani dress and textiles explains them.
- Not a shopping town: we would rather you didn't come for that.
- Meet the makers instead: a painter in the old Deogarh style, a potter in a nearby village, a silversmith who makes anklets to order by weight.
- Buy directly: from people we know. Nobody in our team takes a commission, and our shopping guide explains why that matters.
Eating in Deogarh
Mewar farm food: grounded and seasonal.
Makki ki roti: a thick maize flatbread from the griddle, eaten with white butter and jaggery, or with sarson ka saag when mustard greens are in.
Gatte ki sabzi: gram-flour dumplings simmered in spiced yoghurt.
- Winter bread
- Makki ki roti
- Everyday
- Gatte and kadhi
- Celebration
- Dal baati churma
- Rajput classics
- Laal maas, safed maas
- Kadhi: a sour yoghurt curry, on every family table.
- For grand meals: ker sangri, the desert's dried berries and beans.
- At every celebration: dal baati churma.
- Laal maas: mutton in a fierce red sauce.
- Safed maas: gentle, cooked with cream, cashews and cardamom.
- Old recipes: game-style dishes the family cooks still make, now with farm-raised meat.
- Vegetarians: eat extremely well too.
- Breakfast: poha with peanuts and lime, mirchi vada from the bazaar, or jalebis hot from the pan.
- Away from the dining room: breakfast beside a village tank, lunch at a farmhouse with the women who cooked it, or dinner on the roof with folk musicians below.
- Learn a dish: the hotel will happily teach you one or two, and our Rajasthani food guide has more.
Where to stay in and around Deogarh
- In town
- Deogarh Mahal
- Tented camp
- Deogarh Khayyam
- Pair with
- RAAS Devigarh, Castle Bijaipur
- Expect
- Stairs, character, family hosts
Deogarh Mahal
Why people come: the palace itself.
- Ask for: an older suite with painted walls, a window seat and a view across the lakes.
- Be ready for stairs: this is a seventeenth-century building and it shows.
- What makes up for it: the family's hospitality, the terraces at dusk and the sense of staying inside a living estate.
Deogarh Khayyam
A tented camp: run by the same family outside town.
- Who it suits: families and anyone who prefers lawns and big skies to palace corridors.
- Split the stay: we often book one night in the palace and one in the camp.
Combining Deogarh with other palace stays
On the Udaipur road: RAAS Devigarh, the restored hill palace at Delwara.
- Near Chittorgarh: Castle Bijaipur.
- Compare styles: our guide to palace hotels sets grand city palaces beside country houses like this one.
When to come, and which festivals to plan around
October and November: clear skies, harvest in the fields and comfortable days.
December and January: crisp mornings, bright afternoons and nights that call for a shawl on the terrace.
- Best months
- October to March
- Coolest
- December and January
- Hot season
- April to June
- Monsoon
- July to September
- Book early for
- Navratri, Dussehra, Diwali
- February and March: warm, dry and perfect for long drives.
- April to June: fierce heat. We would only bring you for a short stay with afternoons by the pool.
- July to September: the tanks fill, the Aravallis turn emerald and the train ride through the ghats is at its finest.
Holi, in February or March
- A neighbourhood affair: the bonfire of Holika is lit in the evening, and next morning the lanes fill with colour, drums and laughter.
- From a distance: the palace can arrange a gentler, organic-colour celebration on its own lawns.
Gangaur and Teej
The women's festivals: Gangaur in March or April and Teej in July or August.
- What happens: women dress in their best, carry clay images of the goddess Gauri to the water, and sing songs their grandmothers sang.
- How to be there: walk the town quietly, and ask permission before any photograph.
Navratri, Dussehra and Diwali
In quick succession: in September, October or November.
- Navratri: nine nights of devotion and dance.
- Dussehra: the burning of Ravana's effigy.
- Diwali: every house, and the palace itself, filled with lamps.
Getting to Deogarh
By air: Udaipur's Maharana Pratap Airport is the nearest.
A natural overnight: on the long drive between Jaipur and Udaipur.
- From Udaipur
- About 140 km, roughly 3 hours
- From Ajmer
- About 150 km, around 3 hours, as from Pushkar
- From Jaipur
- 5-6 hours
- Nathdwara
- About 90 km south
- Nearest airport
- Udaipur
- On the way south: the shrine of Shrinathji at Nathdwara, and Kumbhalgarh a little further.
- To Jodhpur: about four to five hours across the Aravallis, on some of the prettiest hill roads in Rajasthan.
- No main-line station: guests arrive by private car, and the metre-gauge train is an excursion, not a way in.
- Where it fits: between Pushkar or Ajmer and Udaipur, with a stop at Nathdwara.
- Plan the drive: our guide to road distances and drive times.
Two days in Deogarh, the way we would spend them
- Ideal stay
- Two or three nights
- Day one
- Bazaar, painted rooms, roof dinner
- Day two
- Metre-gauge train, villages, Gokal Garh
- Day three
- A painter and Anjaneshwar
- Our journeys: Deogarh features on our village Rajasthan journey, linking country palaces, rawlas and farms across Mewar and Marwar.
- Lakes and temples: it also fits beautifully into Mewar Lakes and Temples.
Day one, the town and the palace
Lunch: arrive and rest.
- Late afternoon: walk the bazaar with a guide from the town, past the clock tower and the Kunjbihari temple.
- Lamp-lighting: back up to the palace as the lamps come on.
- Before dinner: the painted rooms with someone who can read the pictures, then dinner on the roof.
Day two, the train and the villages
Early: the metre-gauge train through the Aravalli ghats, with a picnic breakfast on board and the car waiting at the end.
- Midday: a long lunch and a swim.
- Late afternoon: the villages and the lakes.
- Sunset: a sundowner at Gokal Garh.
With a third night
- Add: a morning with a painter in the Deogarh tradition, a visit to Anjaneshwar Mahadev, and an afternoon of doing nothing at all.
- Then south: toward Kumbhalgarh and Udaipur.
What we tell friends before they go
Soft shoes with grip: the palace is all stairs, ramps and polished stone, and the town lanes are steep.
Not a resort: expect a family home with a long history, generous hosts and a few creaking doors.
- Greeting
- Khamma ghani
- Footwear
- Soft shoes with grip
- Carry
- Small notes for offerings
- Read first
- About the painter Chokha
- Ask before photographing: especially women and anyone at a shrine. A smile and a gesture toward the camera is usually enough, and a no should be accepted at once.
- Say khamma ghani: the respectful Mewari greeting. Older villagers light up when you use it.
- Carry small notes: for temple offerings and tea, and give them directly rather than through a middleman.
- Read about Chokha first: standing in the hills he painted makes his pictures come alive.
- Leave space in your plans: the best moments are unplanned, a wedding procession in the lane, an invitation to a courtyard, a flock of cranes on a tank.




