A fort older than the Mughals
First in the histories: as a fort that a Ghaznavid prince captured in the eleventh century.
A Lodi capital: the Lodi sultans made Agra their capital around 1504, and Sikandar Lodi died here in 1517.
Babur takes Agra: when he defeated Sikandar's son Ibrahim Lodi at Panipat in 1526, Agra and its treasury fell to the first Mughal.
- Built
- 1565 to 1573, on the older Badalgarh
- Built by
- Akbar, with Shah Jahan's marble from 1628
- Open
- Fridays too, unlike the Taj
- Allow
- Two to three hours
- Best time
- Late morning or late afternoon
- Photography
- Welcome throughout
- Getting there
- 15 minutes from Amarvilas or ITC Mughal
- The great diamond: here Babur's son Humayun received the stone tradition identifies with the Koh-i-Noor, given by the family of the Raja of Gwalior.
- Lost and won: Humayun lost Agra to Sher Shah Suri in 1540. In 1556 the Hindu general Hemu briefly held it before his defeat at the second battle of Panipat.
- Akbar's capital: the young emperor made Agra his capital in 1558 and found the old brick fort in ruins.
- Rebuilt in red: from 1565 he rebuilt it in red sandstone. The work took about eight years, and the chroniclers say some four thousand labourers worked each day.
- A little bit ours: the stone came from Barauli in Dholpur, on Rajasthan's eastern edge. Like the marble of the Taj, the walls carry Rajasthan inside them.
- Hundreds of buildings: Akbar's historian Abul Fazl wrote that the fort held hundreds, in the styles of Bengal and Gujarat. Only a handful of Akbar's survive.
- The court moves and returns: Akbar left for Fatehpur Sikri in 1571, but the court came back.
- Jahangir's chain of justice: he lived here and hung a golden chain from the walls, which any petitioner could pull to be heard.
- Shah Jahan's marble: born in Lahore but raised partly in these palaces, he pulled down many of his grandfather's sandstone halls from 1628 and replaced them with white marble.
- The capital leaves: in 1638 he moved it to Shahjahanabad in Delhi, with its own Red Fort, and Agra Fort was never quite the centre again.
- The saddest chapter: in 1658 Aurangzeb won the war of succession and confined his father here. Shah Jahan died a prisoner in January 1666, cared for by his daughter Jahanara.
- Hand to hand: the Jats of Bharatpur took the fort in 1761, the Marathas in 1785 and the British in 1803.
- A British garrison: the British sheltered here during the uprising of 1857 and demolished many Mughal buildings to make room for barracks.
- Only half open: the northern part is still held by the Indian Army, so visitors see only the southern half.
- World Heritage: inscribed by UNESCO in 1983, alongside the Taj Mahal.
The walls and the gates

The plan: the straight side runs along the Yamuna and the curve faces the city.
Two rings of wall: both in red sandstone. The outer wall is lower, and the inner wall has round bastions at regular intervals and crenellations for archers, and later for guns.
The moat: a wide one, once fed from the river, ran around the landward side, with drawbridges at the gates.
- Shape
- A half-moon along the Yamuna
- Area
- About 94 acres
- Inner wall
- About 20 metres high
- Circuit
- About 2.5 km of wall
- Delhi Gate
- About 1568, army side, closed
- Visitors enter
- Amar Singh Gate, south side
- Akbar's grand gate: the Delhi Gate, on the western side, finished around 1568.
- The Hathi Pol: the elephant gate inside it, once guarded by two life-size stone elephants with riders.
- Seen only from the road: the Delhi Gate is in the army's part of the fort and closed to visitors. Ask your driver to pass it slowly.
- The Amar Singh Gate: the outer gate was added in the seventeenth century. Its passage turns and doubles back, so attackers lost speed under fire from above.
- Its name: Amar Singh Rathore, a prince of Marwar. The popular story says that in 1644 he killed a Mughal noble in open court after an insult, and was himself cut down.
- The leaping horse: Agra guides add that his horse leapt the wall here. We tell it as a story, not as history, but it shows how deeply Rajput honour runs through this place.
Through the fort, palace by palace

- Start
- Amar Singh Gate and the ramp
- Akbar's red
- Jahangiri Mahal, Akbari Mahal
- Shah Jahan's white
- Khas Mahal, Musamman Burj
- Courts
- Diwan-i-Khas, Diwan-i-Am
- Closed
- Moti Masjid, usually Sheesh Mahal
The ramp of the Akbari Darwaza
- The approach: past the Amar Singh Gate, a broad sloping ramp climbs between high walls towards the inner gate. It was built for elephants and horses.
- Walk it slowly: the walls are so close that sound changes. You arrive as a visitor to Akbar's court did, small and enclosed, before the palaces open out above.
The Jahangiri Mahal
The largest surviving palace: built under Akbar, probably for the women of his household, and later carrying Jahangir's name.
- Red with white: the red sandstone facade is inlaid with white marble.
- Rajput bones: the courtyards are lined with carved brackets, deep eaves and pillars. Guides link it to Akbar's Rajput queens, and the likeness to Amber and Gwalior is real.
- Jahangir's hauz: in front stands a huge bowl carved from a single block of stone in 1611, said to have been used as a bath.
The Akbari Mahal
- What is left: broken walls and foundations of Akbar's own palace, beside the Jahangiri Mahal. Little stands above shoulder height.
- Worth a few minutes: it shows the scale of what was lost when later builders, and the British, cleared Akbar's work.
The Khas Mahal and the Anguri Bagh
The fort changes colour: Shah Jahan's Khas Mahal is a white marble pavilion facing the river.
The bangla roofs: two smaller pavilions with curved roofs in the Bengali style flank it, said to have been for his daughters Jahanara and Roshanara.
- Look up: traces of painted and gilded decoration survive on the ceilings.
- The grape garden: the Anguri Bagh in front is a small charbagh with geometric beds where the women of the court walked.
- Water everywhere: notice the marble fountains and scalloped channels.
The Sheesh Mahal
- A room of stars: below the Khas Mahal, two bathing rooms were lined with thousands of tiny pieces of mirror set in plaster, so a single lamp filled the room with light.
- Usually closed: you can often glimpse the glitter through the lattice. If it happens to be open, go in.
The Musamman Burj
This is where Shah Jahan spent his captivity, and where, by tradition, he died looking at the Taj two kilometres downstream. Stand at the jali and look. On a clear day the dome is unmistakable, white against the sky, and it is impossible not to feel something.
- The heart of the fort: an octagonal tower on the river wall.
- Two builders: Akbar built it in red stone. Shah Jahan rebuilt it in marble with inlay, a small fountain and a pierced balcony over the river.
The Diwan-i-Khas and the black throne
The hall of private audience: a marble pavilion of paired columns and cusped arches, finished about 1637, where the emperor received ministers, princes and ambassadors.
- Two thrones on the terrace: one of white marble, and the Takht-i-Jahangir, a black stone throne made for Jahangir while he was still a prince.
- The crack: it has one, and every guide in Agra has a different story about how it got there.
- May 1666: in this hall the Maratha leader Shivaji came before Aurangzeb.
The Machchhi Bhawan
The fish palace: a large courtyard of pools and channels, possibly stocked with fish for the emperor's amusement.
- Stripped: much of its marble was removed in the eighteenth century. Agra stories say the Jats carried pieces off to their palaces at Deeg near Bharatpur.
- What remains: the framework of a pleasure court, open to the sky.
The Nagina Masjid and the Meena Bazaar
The gem mosque: a tiny white marble mosque above the Machchhi Bhawan, built by Shah Jahan for the women of the palace.
- A private bazaar: below it, by tradition, merchants' wives sold silks and jewels to the ladies of the court.
- Easy to miss: it is so small and plain that people walk past. Don't.
The Diwan-i-Am
The hall of public audience: a long pillared hall open on three sides, built by Shah Jahan from 1628.
- Not quite marble: red sandstone coated with polished white lime plaster to imitate it.
- The jharokha: a raised marble alcove at the back where the emperor sat to be seen by subjects, petitioners and soldiers.
- A British tomb: a little incongruously, John Russell Colvin lies in front. The lieutenant-governor died of cholera in the fort during the siege of 1857.
The Moti Masjid, from outside
- The pearl mosque: Shah Jahan's, built in white marble between 1646 and 1653, north of the Diwan-i-Am.
- Closed for years: you can see its three domes from the courtyard, and that is enough to understand the name.
Three emperors in one building

Akbar's stone: red sandstone, the stone of the country around Agra and Dholpur.
Akbar's mix: Persian arches and courtyards from his Central Asian ancestry, carved brackets and deep eaves from the Hindu and Jain builders of Gujarat and Rajasthan, and pillared halls from older Indian traditions.
You will recognise it: if you have seen Amber Fort or Gwalior, the vocabulary is familiar at once. Akbar's builders and ours drew from the same well.
- Akbar
- Red sandstone, carved brackets, flat roofs
- Jahangir
- Gardens, painting, early inlay
- Shah Jahan
- White marble, paired columns, inlaid flowers
- Best example
- Jahangiri Mahal for Akbar
- Jahangir built less here: his passions were gardens and painting, and his finest work is in Kashmir, Lahore and the tomb at Sikandra he finished for his father.
- Marble takes over: under Jahangir, through his empress Nur Jahan, marble and inlay began to dominate, as you see at Itimad-ud-Daulah.
- Shah Jahan's style: white marble, slender paired columns, scalloped arches, inlaid flowers and pierced screens.
- His taste: symmetry, refinement and light, and he did not mind pulling down his grandfather's buildings to make room for it.
- Where the contrast is sharpest: in the river-facing palaces, where red sandstone walls meet white pavilions.
- Learn the words: our guide to architecture explains the terms, from the jharokha window to the bangla roof.
- One window, two traditions: our note on what a jharokha is traces it from Rajput palaces into Mughal ones and back again.
Shivaji, a Kachwaha prince and the escape from Agra

The general: in 1665 Mirza Raja Jai Singh I of Amber, the man who had given up the land under the Taj, led Aurangzeb's army against Shivaji in the Deccan.
His word: he negotiated a treaty and persuaded Shivaji to travel north to the court at Agra, giving his personal word for his safety.
The slight: received in the Diwan-i-Khas in May 1666, Shivaji felt insulted by the rank he was given and protested openly. Aurangzeb placed him under guard in the city.
- Treaty
- 1665, in the Deccan
- At court
- May 1666, Diwan-i-Khas
- Escape
- August 1666
- His guard
- Kunwar Ram Singh of Amber
- The prince who held him: Jai Singh's son, Kunwar Ram Singh, a young prince of Amber, was made responsible for the prisoner.
- Three months: Shivaji was held in Agra until August 1666, when he escaped.
- The baskets: the famous story says he and his son were carried out in large baskets of sweets and fruit he had been sending as gifts to holy men.
- Home in disguise: he made his way back to the Deccan. Ram Singh fell under suspicion and out of the emperor's favour for a time.
- Complicated for us: our ancestors were loyal servants of the Mughal throne, and Jai Singh's honour was bound up in his promise. Marathi tellings remember Ram Singh with some sympathy.
- Your own mind: standing in the Diwan-i-Khas, we let guests decide. Our long read on Mughal and Rajput history gives the wider background.
Eight years in a marble tower
His body was taken down the river by boat and laid beside Mumtaz Mahal in the crypt of the Taj, with little of the ceremony a reigning emperor would have received. In the tower you stand at the end of a great love story and a great family tragedy. We always give guests a few minutes alone here.
The rumour: in 1657 Shah Jahan fell seriously ill in Delhi, and word spread that he had died.
Four sons race: each governed a distant province, and each made for the throne.
- Illness
- 1657, in Delhi
- Samugarh
- June 1658, near Agra
- Dara executed
- 1659, in Delhi
- Shah Jahan died
- January 1666
- The favourite: the eldest, Dara Shikoh, was a scholar who had translated the Upanishads into Persian.
- The general: the third son, Aurangzeb, defeated Dara at Samugarh, a few kilometres from Agra, in June 1658, then besieged the fort.
- Water decided it: the fort drew its water from the river. When that supply was cut, the old emperor had little choice but to open the gates.
- Kept, not harmed: Shah Jahan was never tried. He lived in comfort and isolation in the river palaces he had built.
- Two daughters, two sides: Jahanara chose to share his captivity and nursed him to the end. Roshanara had sided with Aurangzeb.
- Dara's end: captured, paraded through Delhi and executed in 1659.
- Letters: some bitter, some formal, passed between father and ruling son. Shah Jahan died in January 1666, in his seventies.
When to come, and how long to stay
Our usual rhythm: sunrise at the Taj, breakfast and a rest, then the fort in the late morning.
Why it works: by then the Taj is crowded and harshly lit, but the fort's courts give shade and its river pavilions catch the breeze.
Winter: mid-morning sun warms the red stone pleasantly.
- Best time
- Late morning, after a Taj sunrise
- For photos
- Late afternoon
- April to June
- As early as possible, out by noon
- Allow
- Two hours, or three to linger
- Fridays
- Open
- The hot months: from April to June, come as early as the gates allow and leave before noon.
- The photographer's choice: late afternoon. Low sun turns the sandstone almost crimson, and the Taj is softly lit downstream from the Musamman Burj.
- Fridays: the fort stays open, so it is the obvious centre of a Friday in Agra, when the Taj is closed.
- Two hours: enough for a good visit with a guide.
- Three hours: lets you sit in the Anguri Bagh, linger at the Musamman Burj and return to the Jahangiri Mahal for a second look.
- Children: they usually love the ramps, the moat and the stories of escapes and prisoners.
- Sound and light: an evening show is staged on many nights. It is old-fashioned, but some families enjoy it. We check whether it is running for your dates.
How to visit well
Book a guide: the buildings are poorly labelled, and without someone to tell the stories the fort can feel like a series of empty rooms.
Security: lighter than at the Taj, but large bags are still best left in the car.
- Guide
- Registered, booked in advance
- Entrance
- Amar Singh Gate
- Footwear
- Comfortable, with grip
- Bags
- Large ones best left in the car
- Bring
- Water, a hat, small binoculars
- Shoes with grip: there are ramps, uneven stone floors and steps between levels, and the polished marble in Shah Jahan's pavilions can be slippery.
- Limited mobility: the ramp and several palaces involve slopes and steps. The Diwan-i-Am, the Khas Mahal and the Anguri Bagh are manageable with care. Tell us and we plan the route.
- Photography: welcome throughout.
- Light inside and out: the river pavilions face east, so mornings give soft light inside the Khas Mahal. The outer walls are best in the late afternoon. Our photography tips have more.
- Water and a hat: carry both in the warmer months. Much of the fort is open courtyard with little shade.
Small things worth stopping for
The traces of paint
- Look up: at the ceilings of the Khas Mahal and the rooms around the Anguri Bagh, faint painted and gilded flowers survive.
- Imagine it whole: once, every surface here was coloured.
The river view from the Khas Mahal
- Before the Musamman Burj: stand on the marble terrace of the Khas Mahal and look east.
- What you see: the Yamuna bending away and the Baby Taj on the far bank. Picture the river lined with gardens.
The marble hauz
- The inscription: Jahangir's giant stone bowl in front of the Jahangiri Mahal carries Persian lettering around its rim.
- A family game: children love to guess how anyone got into it.
The double walls from the moat road
- Before you go in: ask your driver to circle the fort.
- The only way to see the scale: from outside you see the full height of both walls and the width of the moat.
The Jama Masjid across the road
- Opposite the western side: Agra's Jama Masjid, built in Shah Jahan's reign and linked to his daughter Jahanara.
- A fitting end: the same daughter who nursed him in captivity. It closes the story quietly.
What to pair with the fort, and where to stay
- Same morning
- Taj Mahal at sunrise
- After lunch
- Itimad-ud-Daulah
- Sunset
- Mehtab Bagh
- Early evening
- Kinari Bazaar
- On to Jaipur
- Fatehpur Sikri, about an hour west
The Taj Mahal, the same day
- The classic Agra day: sunrise at the Taj, breakfast, then the fort in the late morning.
- Why it works: you see the tomb, then the palace from which its builder watched it.
Kinari Bazaar and the old city
- Agra at its most local: the lanes behind the Jama Masjid, full of wedding trimmings, spices, silver and sweets.
- Go with a guide: in the early evening. Our list of things to do in Agra has our favourite stops.
Itimad-ud-Daulah and Mehtab Bagh
- Across the river after lunch: the Baby Taj first.
- Then upstream: to Mehtab Bagh for sunset. It gives you the whole riverfront in one day.
Fatehpur Sikri, on the way to Jaipur
- About an hour west: Akbar's abandoned capital sits on the Jaipur road.
- Completes the Akbar story: after Agra Fort it makes sense. Our Fatehpur Sikri guide explains how to see it well.
Where to stay
For the view: The Oberoi Amarvilas gives you the Taj from your balcony.
- For space: ITC Mughal gives you gardens. Both are about fifteen minutes from the fort.
- Compare them all: our guide to luxury hotels in Agra has the full list.



